From the Desk of the Dictator:

Welcome back from your weekend everyone.

It was quiet this week. We ran another segment of Project Cut Flowers, but this one did not require mobilizing all of Technefarious, so it’s understandable if you didn’t notice it. Operation Grass Clippings only required a couple of people to complete, so I assigned it to Frigid and myself. It was nice to get out of the office without being abducted by aliens or trying to oversee a small army in the field.

Operation Grass Clippings required a trip to the floating city of Suncloud. If you’ve never been, you’ve missed one of the wonders of the world. No one knows exactly how old it is, although it is referenced in Homer’s Odyssey. Somewhere in prehistory, a vine plant mutated or got hit by miscast magic or was the subject of a miracle, allowing it to exhale a mist that made it float free of the ground. For whatever reason, this floating planet didn’t die but instead grew bit by bit. Eventually, some bits of it did die, but the dried husks stayed entwined with the living vine. Slowly the plant grew larger and its discarded bits accumulated, turning into a floating mound and then into a floating hill and finally into an entire island buoyed by its white cloud of gas. Over the millennia, it accumulated passengers: birds, bugs, dirt, flowers, weeds, and trees. Occasionally it was tamed by a wizard or a god that wanted the living cloud for their own reasons, but mostly it wandered the planet, a little island of life in the sky. Eventually, it was colonized during Europe’s Age of Exploration. However, the European powers found it impossible to control the island’s course, making it difficult for them to do regular business with the floating colony. Finally drifting away from their old homes, the former colonists dubbed their land the Suncloud and developed their own independent culture that specialized in flight long before the Wright brothers developed the propeller driven airplane.

Frigid and I slipped onto Suncloud by the simple expedient of teleporting onto it. Flying is a poor option for sneaking in, because the Cloudians have developed the best flight detection systems on the world. Teleporting in was better. Oh, they still detected our arrival; it just made intercepting us harder. By the time their security forces reached our arrival point, we had already disappeared among Suncloud’s many tourists.

To give security time to settle down, Frigid and I pretended to be tourists and went shopping, giving me an opportunity to prove to my lieutenant that the stereotype of guys hating to shop is entirely true. Frigid chose her name deliberately, having been born with ice powers and no sex drive. Talk to her for a while, and you’ll find she finds the contortions the rest of humanity goes through for sex amusing. Apparently, she managed to have avoided going shopping with any guys in her life so far and found it hilarious that I lived up to the male reputation. I just smiled at her patiently and told her that the real reason I seized control of Technefarious was so I could make the henchmen do my shopping for me.

After stopping for some coffee with floating foam (a Suncloud speciality), we made our way to the edge of the island to try and find some plant matter to prune. The forests there had plenty of exposed stalks of the floating plant, but we wanted to do this with more subtlety than Jack and the Beanstalk. We finally found a sprout shorter than us, so I used my powers to figure out how to trim it off without killing it. Then Frigid encased it in ice and manipulated the temperature of the water inside of it to preserve its cells without letting them rot, or so I gathered from the long, detailed explanation of her process that she shared while she went about it. I didn’t actually understand it all, but as long as our science and occult departments are happy with her work, then I’m happy.

Of course, our attempt to teleport back out was immediately foiled. Despite our efforts to skirt security, they had managed to track us down. The squad was mostly just grunts, but I recognized their leaders. The first was Shiver, a young woman with a vibration based power set. The other was Caesar Rex, the Mechanical Canine-Man, my rival in having a completely ridiculous mix of names and titles.

Rex gloated that he had caught us and boasted about the jammer he was using to keep us from teleporting away. It wasn’t a bad little monologue, but I thought it was bit presumptuous of him considering he hadn’t subdued us yet. Oh, I won’t pass up a good monologue myself, but I do have priorities.

In this case, my priority was has to extract ourselves without killing anyone. Sure, we’re facing a couple of superheroes and some extra muscle, all of whom are usually expendable, but murder is more memorable than property damage and theft. At worst, I wanted us to be an annoying escape, not a focus for vengeance. Our teleportation device’s countermeasures had started processing as soon as it found itself blocked, so it would eventually get us out. The question was how to keep our opponents busy in the meantime.

Luckily, I had Frigid with me. Like any good ice slinger, the first thing she did was encase our opponents in blocks of ice. If she had been able to concentrate on maintaining the blocks’ integrity, that would have been enough to let us get away. Unfortunately, Shiver’s vibrations tore down her ice cube prison almost immediately. The hero threw herself at Frigid, forcing a standoff between Shiver’s excitation of atoms and Frigid’s storm of ice.

In the meantime, Caesar Rex and his goons had managed to extract themselves from their blocks, but I was waiting for them. Killing someone is much easier than disabling them, but I am highly trained. I served concussions and severed tendons to the help, then delivered an arrangement of sharp strikes and crushing blows to Caesar Rex, incapacitating his capacitors and grinding his gears. With his mechanical bits damaged, he dropped the jammer. That wasn’t what I was going for, but I stomped on it anyways, teleporting us away and ending the fights.

I told Frigid that the next time, maybe she should start the fight by destroying the equipment preventing our escape. She said thanks for the brilliant idea after the fact.

This memo is long again, so I’ll just write one quick note here about our package exchanges with the Golden Web. This time, our archrivals sent us a box full of the stiff, deadly gum sticks that comes with baseball cards. The science department was able to determine the entire lot of gum dates to the mid-1980s. Yeah, I have no idea what’s going on over there.

Have a good week everyone. Remember, the world is already ours – it just doesn’t realize it yet.

Your Leader,

Dr. Photius Callaway

The Killing Man

From the Desk of the Dictator:

Welcome back from your weekend everyone.

Operation I-Should-Have-Probably-Named-It-But-It-Wasn’t-Part-Of-One-Of-Our-Take-Over-The-World-Plots-So-I-Didn’t was a success with some additional positive, if unexpected, results. We successfully rescued the soul of Henchman 98B-3O (Carl), which we expected, but it looks like it may have resulted in a proper secret origin story for him too.

First, let’s talk about the actual execution of the rescue. Carl’s soul was being held by the dragon statue Granquartz. Our occult department prepared some materials, and I hired the Positronic Ghost to deliver them to since he could complete the job more quietly than anyone currently on staff.

The Positronic Ghost was built by one of the former leaders of Technefarious, Dr. Masivo. The doctor had found that building a sentient computer was easier if the materials used were entirely antimatter. Unfortunately, antimatter has a bad habit of exploding when it actually touches anything on Earth. Masivo addressed that problem by building the entire thing slightly out of phase with the rest of the world. As a result, it could seen and heard and but not touched. In keeping with the theme, he built his computer an antimatter body of a seven-foot tall robotic skeleton dressed in rags. Dr. Masivo had a sense of humor.

I’ve always liked the Positronic Ghost. Sure, his attention span isn’t great, and you have to prod him sometimes to get moving again, but he’s a pleasant (if occasional abstract) conversationalist. I was sorry when he left us to pursue his own projects.

Positronic Ghost snuck Granquartz’s lair and coated the stone eggs in her nest with the dragon semen our occult department had prepared. Now fertilized, the eggs quickened within a couple of days and then hatched. Carl was reborn with his soul now attached to a body of baby dragon statue. The other eggs had also hatched with other souls Granquartz had captured. In the confusion of the dozen or so sudden births, Carl escaped from the Soil Six’s base and flew back to us. Apparently learning to fly with a body made of stone is easier than you might think.

The occult department has reattached Carl’s soul to a clone body but found that they did not have to detach it from the dragon statue. So if you see the clone or the statue walking around, keep in mind that they are both Carl. Given his unusual condition, we’re evaluating him to see what additional training and duties might be suitable for him.

Later in this week, the science department will start their battle robot contest. Be sure you get your filled out elimination brackets to Dr. Ratchetman by Thursday morning to have a chance at winning the betting pool.

I have one quick note on the package exchange program with our enemies, the Golden Web. They haven’t sent us anything back yet, but Frigid noted I should have put a mesmerizing subliminal in the Manimal Betamax tapes I sent the Golden Web. So thanks, Frigid, for the brilliant idea after the fact. I’m going to go be grumpy now.

Have a good week everyone. Remember, the world is already ours – it just doesn’t realize it yet.

Your Leader,

Dr. Photius Callaway

The Killing Man

An interesting conversation took place in the comic book world over the past week. It started when Eric Powell, creator of the award winning comic The Goon, posted a video criticizing the lack of genre diversity in comics. I’d post it here, but he’s since taken it down, presumably because either because it wasn’t particularly well argued or because it wasn’t particularly well presented. Jill Pantozzi has a summation of the video here, as well as her own thoughts on it. Here are some commentaries on it: Scott McCloud, Van Jensen, and Tom Spurgeon. There were also conversations comic news/commentary sites: one on Comic Alliance, and several on The Beat.

I’m less interested in examining the video itself (I think it wasn’t well argued or presented, myself). However, I did post my thoughts about the follow up conversations on The Beat, and I’m cross-posting them here.

1: In which I discuss the emerging digital download market which the video completely ignored as a commercial outlet and the realities of making a living off your art

I expect the growth in the digital download market will spur growth for drama comics, simply because drama is more satisfying in larger chunks; there’s a reason sitcoms are thirty minutes and television dramas are an hour, after all. Comedy has the edge in webcomics, just like it does on the newspaper comics page. Drama comics can get by on the web (Family Man, YU+ME: dream, Sailor Twain, World of Hurt, Zahra’s Paradise), but the daily joke rules that side of the business.

Digital downloads have enough format differences from floppies, trades, and webcomics to make them the preferred format for an under-exploited audience. Since that audience will expect them to come out on a floppy or trade time-period, expect drama to dominate the format just like it does in the direct market. As there’s no shelf space limit like there is in the direct market, expect the independent stuff to dwarf the Big 2, Archie, and Disney. The tech to create and deliver the work just doesn’t require a big corporate middle man to hold the bag. The only advantage a big corporate middle man might have is in building a big enough digital storefront for costumers to randomly browse through. Even then, any creator that doesn’t also sell his digital downloads off his own website to cut the middleman out of selling to the creator’s hardcore fanbase is an idiot.

Will digital downloads be enough by themselves? Probably not, but comics by themselves never were. Newspaper comics, webcomics, and comic books have ads. All three have trades that repackage the content in books that doesn’t have ads. All three merchandise (suction cup Garfield for your window, Fat Pony T-shirts, and Wolverine action figures). All three license to the other, bigger, riskier, more profitable mass mediums (Peanut holiday specials, Batman movies, Penny Arcade video games) which is where you actually hit the lottery with your work. Sure, Harry Potter level success in books will you a millionaire, but Harry Potter movies and merchandising is what it takes to make you the second richest woman in England.

The marketing for most direct market comics, even from the Big 2, is bad. The profits margins aren’t there for something much better than what a one person creator can manage in the internet age. A determined and patient creator can create more marketing for himself now than ever before. It won’t be overnight. In fact, usually takes years, but we are talking about creators who intend to do this for their entire life, right?

While you’re struggling, keep your day job. If you’re already in the direct market, there’s no reason why shouldn’t stay in it while you build up your own creator owned works that you can sell again and again and again, year after year, as floppies and trades and webcomics and digital downloads.

I keep running into these unrealistic expectations that finding more audience in a new format should happen instantaneously, instead of being the backbreaking work making your living off your art always is. Is it the fact that artists have an actually, marketable skill out of college that is useful in the business world that skews these conversations on these direct market specialization sites? The awards for best new novelists usually go to people in their THIRTIES. Actors are disgustingly hit and miss in their cash flow, no matter how successful they might have been in the past. Sniveling in public that you might have to lower yourself to get a paycheck to keep pursuing your preferred projects is really annoying to some of us coming from those backgrounds. Making money from doing something creative is tough, and building a new business from scratch takes time and effort. Just be glad that it’s easier now than when Jeff Smith and Dave Sim started theirs – or when Scott Kurtz and Fred Gallagher started theirs. (Fun fact – Fred Gallagher? His webcomic Megotokyo is the only one whose trades are published by DC or Marvel, and his last volume came out under the DC Comics imprint itself. And it’s a drama webcomic. It was the only title to survive DC killing the CMX line. Know why it survived? Because the trades were too profitable for DC to just drop it. The collections of a comic you can read on the internet for free were too profitable for one of the Big 2 to let go. The future is now, kids.)

Oh, and only 300 million people? If you’re only aiming for America when talking about delivering content on the internet, you’re aiming too small.

2: In which I discuss the recent markets for mass media and how they impact comics

If we’re going to talk the history of money in comics, we have to include the fact that comics are a mass medium and competing with every other mass media for the time and money of a limited audience (6 billion+ people big but still finite). In the direct market era, we’ve had two new mass media mature, video games (now the same size as the movie industry) and the internet (hi there!). I’m not going pretend I have the numbers at my fingertips, but I’m guessing there’s a strong correlation between the rise of those industries and the decline in direct market sales. There has certainly been one reported between their rise and the subsequent decline of television. Video games just steal time and money, which makes it tougher for those in the older media. The internet has been something else.

Like video games, internet has been another time and money sink for consumers. However, it has also opened up new distribution channels for content sellers, like people making comics. We’ve seen the webcomics side of the industry grow from strips put up for fun to having a solid cadre of full time professionals. Here’s the Wikipedia list  for those that missed it on the other thread. Add in the many, many semi-pros on the net, some of whom will eventually be pros, and we start reaching numbers matching the number of comic creators in the newspapers.

I know there are some that like to claim that making it on the web is like hitting the lottery in terms of the odds. They’re absolutely right. However, the odds making a living doing comics in newspapers (Peanuts or Garfield), magazines (Mad Magazine or New Yorker), or the direct market (Batman or Cerebus) are every bit as bad. If you’re making your living doing comics, it’s because you worked hard enough to get enough lottery tickets to have a real chance of earning a living wage. Maybe you wrote regularly to the comic’s letter page. Maybe you carried your portfolio to cons year after year. Maybe you had an internship at one of the publishers’ offices. Maybe you got a lot of rejection letters. However you did it, it was no less work that the process of assembling an audience one by one on the web. Yes, there is an element of luck involved, but work can do a great deal to shrink those odds to something manageable, assuming you have the talent to create something worth the audience’s time.

Now digital downloads are adding another distribution channel for comics, and it’s in a format that should work well for the same types of creators that enjoy working in the direct market. Heck, it should even carry the Big 2 as the direct market and book stores continue to contract.

Contract, not disappear. If hardbacks, trade paperbacks, and mass market paperbacks for novels can exist side by side for decades despite being the exact same product in only slightly different packaging, then that suggests packaging as different as floppies and trades and webcomics and digital downloads will all have audiences that will support them.

Collectors and floppy fetishists will keep that format going, but it will be increasingly dominated by older titles and titles tested first as mini-series by the Big 2 in the digital market that are then relaunched with a first issue to catch the direct market’s attention. Independent creators will abandon the direct market for digital downloads, unless they are floppy fetishists themselves.

To extent they work with the direct market, independents will ship trades collecting their digital work. The webcomic guys already do. Oh, some are ignoring it and selling their trades just by their websites and at cons, but some are paying the price of splitting money with a publisher to get into the direct market and book store distribution channels. Turning my head, I can see five different webcomic books on my shelf with Dark Horse on the spine, one from IDW, and one from Archaia. Digital downloads are nice, but they’re hit and miss as gifts and you can’t read them in the tub.

The relationship between digital downloads and webcomics will depend on the content. If it is drama, the webcomic side will probably be only modestly profitably but will drive consumers to buy downloads they can read comfortably away from their clunky PCs. If it is comedy, downloads will be driven by those that want to own the files for the strips or want to reread them comfortably away from the internet or their PCs. 

That ownership is pretty important, since there’s no guarantee that the website for the comic will be up forever.  Cloud storage has its place in computing, but it doesn’t actually replace having a file on hardware in your own possession. DRM on the downloads has a similar problem when the specifics of the format encryption becomes unsupported because of business failures and software changes. However, at least if you have the file in your possession, someone on the internet will eventually figure out how to jailbreak it.

Or, if you’re like me, you’ll just wait the publishers out like I did the music industry. Dear publishers: I don’t care if your business fails – I won’t buy from you if you have DRM. Yours won’t be the first creative endeavor to abruptly stop, and I got plenty of independent creators to fill the void you left behind.

Okay, that’s the best I can do for where we’ve been and where I think we’re going without writing an entire book. I just get wound up by those who think their little sliver of the market is the whole business of art and commerce, and then compound their error by seeming to be oblivious to the fact that their little sliver used to be different in the past.

From the Desk of the Dictator:

Welcome back from your weekend everyone.

For those of you wondering how I was going recap the end of last week’s reality rewrite, I’ll say that the solution involved a cartoon animal orgy. Now let us never speak of it again.

Rather than press on with one of our big projects this week, I authorized the recovery of Henchman 98B-3O (Carl). We lost him during our operation against the Soil Six when he was eaten by Granquartz the Magnificent, the giant living stone dragon statue that makes her home in the Six’s base. Normally, we would have just brought Carl back by putting his soul into a clone of his body, but after the battle his soul did not show up in the Technefarious’s soul catchers. Our occult department determined that Granquartz had somehow ensnared Carl’s soul during the fight.

While I was away last month playing with aliens, our wizards figured out a way to extract Carl from Granquartz’s claws. Most of the process could be accomplished using in-house resources, but there a few aspects that needed to be brought in from outside. I took it upon myself to arrange for their acquisition, which means I got to call Bleach into my office and tell him to bring me five gallons of dragon semen. I love being the supervillain in charge.

He succeeded in his mission, but refused to discuss the details after he got back. I thought that was a little odd. I mean dragon semen isn’t as useful as dragon blood, but it is available on the black market. He would have just told me if he bought it, right?

The occult department did their work on the materials Bleach had acquired, and then all that was left to do was to deliver the load. I decided to go with a more subtle approach than our last attack on the Soil Six’s base. Since Quanquartz’s quarters are in the caves in the back of their base and we weren’t trying to steal anything out of it this time, I went with a phase-shifter to sneak in. No one currently on our staff specializes in that power set, but I make it a policy to stay on good term with former Technefarious employees whenever possible. I contacted the Positronic Ghost and he has agreed to make the run for a tidy sum.

There were no henchmen deaths to memorialize this week. Hopefully, that’s a good sign for this operation.

In another news, the Golden Web responded to cremated remains of their agents, the note, and the bomb we sent them the other week. They responded by sending back a fruitcake with a file baked into it. The science and occult departments tell me that it doesn’t seemed to be booby trapped or otherwise stranger than it appears to be. I had it teleported to one of our storage facilities in the asteroid belt to play it safe. I responded to the Golden Web’s puzzling package by sending them a set of pirated copies of the television series Manimal recorded on Betamax tapes. I had the commercials left in.

This week’s recreational activities include the propaganda department screening a marathon of Larry Lemur animated shorts in auditorium A. I won’t be attending.

Have a good week everyone. Remember, the world is already ours – it just doesn’t realize it yet.

Your Leader,

Dr. Photius Callaway 

The Killing Man

In response to a post on The Next Best Book Blog where they were lamenting the fact that most states have dropped cursive from the elementary curriculum, I wrote the response that followed. My third response was completely ridiculous in length, so I posted it only here. Head over there if you want the full back and forth.

First Response:

Well, cursive is designed for writing large chunks of text quickly, and no one does that anymore in business world or the academic world or the art world. Speaking as someone who stopped writing in cursive while in high school not quite two decades ago, I can’t see any practical reason to keep teaching it.

Second Response:

As with any other out of date and unused chunks of human knowledge, a group of amateur and academic specialists will emerge as curators of its history. Think of Egyptian hieroglyphics or the Greek alphabet to keep in same vein as cursive. As a society, we can still read them. If person wants to learn it or just get something translated, there are others who maintain that information – or even recover it. We can read Mayan hieroglyphs today, which is not something we could do a century ago. Sure, my grandkids might not be able to read my parents’ love letters without going to see an expert, but like many Americans, I couldn’t read my great-grandparents’ love letters because they’re weren’t in English. But I could find someone who can; specialists are wonderful people.

Dropping something that isn’t useful to the current world and not unique in ways it teaches a person to think is neither unreasonable nor unprecedented. Within my parents’ lifetime, Latin went from taught in every school to being taught in almost none. It wasn’t useful enough anymore. It went from the language of an empire to a language of the scholars to a language of just the scientists. Once it was supplanted in science by German and later by English, it was just a matter of time before it fell out of our curriculum. Sure, it was useful for learning any of the Romance languages, but you know what also makes learning those languages easier? Learning any one of the Romance languages. They’re not any further apart from each other than they are from Latin.

If cursive taught the kids something unique, I’d demand they’d keep it in school. But I know the kids are getting a second language in school earlier than I did. I also know they’ll be on their computers, running into Arabic and Japanese and Chinese scripts as they bum around on the internet. They’ll be changing fonts to Comic Sans for really inappropriate works with their word processors. They’ll understand that how language is presented can be more than upper and lower case.

So, yeah, I’m okay with saying goodbye to cursive. It frees up time to teach the kids something else about language.

Third Response:

Is cursive intrinsic to learning English in all its forms? I argue that it is not. We don’t use Old English anymore. We don’t use Middle English anymore. We don’t use the letter thorn. We don’t use English in all its forms. Why should we teach the parts that aren’t used or useful anymore to our kids?

Handwriting is not just cursive. It is both print and cursive. They are not dropping teaching printing, only cursive. TBBNC Super Mod, in your second response, I’m unclear if you think they are dropping both from the curriculum or that other circumstances will cause humanity how to forget how to write in print once the bomb drops. Really, after the apocalypse, the knowledge of how to handwrite long notes quickly instead of slowly is not the worst thing the average modern human will be missing from their knowledge base.

Cursive is just a specialized font for writing many words quickly. My concern about it becoming unreadable is that as a font, it distorts some letters to the point where there is only a passing resemblance between the print letter and the cursive one. It is not as bad as the differences between hiragana and katakana in Japanese, but it is a noticeable one. If cursive is not taught, I do believe that later generations will not be able to read earlier cursive without a specialist’s assistance. It is a loss, but not one I consider good enough to continue teaching it.

Some these things don't look like the others

I’m just saying the sets on the left look less like they go together than the ones on the right

 

We teach Roman Numerals to our kids. It’s not directly useful anymore, but I suspect it hangs around because it establishes early that the Arabic numbers we teach them first are not the only way to handle numbers. It’s a very useful bit to know when it comes time to learn binary or hexadecimal numbering systems, if their math education requires them to go that far. I’m not a math education specialist however, so my reasoning could be wrong.

The parallel between print/cursive and Arabic/Roman numerals would be the lesson that the print letters are not the only way to handle written language. My points about foreign languages and fonts were addressing this parallel. I believe that exposure to foreign languages and easy font changes will convey that lesson without also teaching them cursive. I apologize that I didn’t clarify that point.

The only lessons cursive teaches are how to handwrite quickly and the notion that the first language they teach is us not the only way to handle language. If there is any additional specific reasons to teach it that I do not have an objection to, I don’t see them here.

The reason that writing notes during lectures gives better results than typing sound reasonable enough that I will concede that point without asking for scientific proof. However, it does not address any differences between taking notes with print or cursive. Having survived middle school, high school, and college with just print, I’m afraid I will require scientific proof on the possibility that cursive is better than print for learning during note taking. However, I will not be offended anyone finds my anecdote insufficient to prove print is just as good cursive to note taking, as anecdotes are a lousy way to prove a sweeping statement about how people learn.

Actually, anecdotes are a lousy way to prove any sweeping statement. For example, writers who find handwriting assists their creativity are nice (Neil Gaiman is one award-winning author who prefers to work that way), but they don’t speak for all writers. For example, my first graphic novel script and my first novel were both handwritten and then typed up. Everything after has been directly into the computer. I haven’t noticed a drop in my creativity. It also doesn’t seem to be holding back authors who just use computers (John Scalzi is one award-winning author who prefers to work that way so much that he became award-winning without even owning a printer to make a hardcopy later.)

Yes, cursive is pretty when done right, but we have art and music to teach the kids pretty. (If you want get the knives out to go after those cutting art and music from curriculums, my blade is yours.) When cursive isn’t done right, it’s too often an illegible scrawl. I had both science professors and English professors express appreciation for the fact that I printed when I handwrote, since they knew they’d be able to read it. I wouldn’t draw too much of a conclusion from that, except that it suggests that cursive was already declining in use then and that some human beings have really atrocious cursive. We already knew the second, or there wouldn’t be all those jokes about the bad handwriting of medical doctors.

There is no legal requirement that signatures be in cursive. I’m curious to see what the younger generation comes up with for them. After I dropped cursive myself, I changed my signature to an illegible scrawl that vaguely resembles the cursive script I was using before. Which meant my signature was now in the same illegible scrawl style that all the adults I knew used. In any event, I’m sure whatever the non-cursive taught kids come up with, it will annoy the hell out of the older people who will then moan about how bad the younger generation is, thus fulfilling the ancient prophecy and putting off the Apocalypse for yet another generation.

The objection that they’re cutting cursive without replacing it with something useful is just silly. Oh, I’d be happier if the replacement was of the teaching-how-to-think-critically variety, but it is not like cursive was great at that, since it’s mostly memorization, repetition, and practicing motor-skills. Let’s not pretend the secrets of the universe were hiding within its unbroken lines. Unless they were. In that case, we truly face a future of post-apocalyptic slowly written notes.

From the Desk of the Dictator:

If you’re reading this, our usual universe is offline. While our paradox implants means that most of Technefarious is around in their original forms, the rest of the universe has been turned into a Mad Max post-apocalypse world inhabited by cartoon animal versions of all the superheroes and supervillains who don’t have paradox implants. Apparently, Larry Lemur the Living Cartoon was cheating with Universan of the ApocoCreatures, when his girlfriend Malicia Ravenwitch caught them in the act. As the domestic fight escalated, the three accidently rewrote the universe. We’re trying to fix it.

I’m typing this on my communicator so those extra-universal beings tapping into Technefarious’s internal memo system for their own entertainment don’t wonder why I didn’t write a memo this week. It’s too expensive to make our whole base paradox proof, so our usual equipment doesn’t exist for the Technefarious staff to read. So this is just for all you extra-universal voyeurs out there.

My usual posts for actual Technefarious staff should resume next week. Unless the fuzzy cartoon people kill us first.

Your Leader,

Dr. Photius Callaway

The Killing Man

From the Desk of the Dictator:

Welcome back from your weekend everyone.

It’s good to be back. For those wondering where I was at the end of last week, I took a few days off. Escaping from the clutches of some deeply disturbed aliens was exhausting, so after I got back, I spent a couple of days at home catching up on my sleep. What’s the point of being charge of a supervillain organization if you can’t take a personal day now and then? Speaking of which, why did anyone place bets that I was actually on vacation with Green Needle in the betting pool about my disappearance? I’m a SUPERVILLAIN. Taking a vacation with a beautiful woman is the cover I use for committing criminal activity. Why would I lie about getting abducted by aliens to cover up my getting laid? The odds that Frigid had secretly staged a coup and had me assassinated was a safer bet.

Speaking of whom, I’d like to extend a special thanks to Frigid for keeping Technefarious ticking along while I was unavailable. I have reports on minor advancements of several projects while I was away. I’m happy to report I brought back my own contribution to our work from my trip. Among the materials I had Fusion Man make for me back on the Asyms’s ship were two energy collection rods that we were using months ago to gather his signature radiation for Project Cut Flowers. He didn’t know what they were, and I collected a lot in the short time we worked together since he was using his powers instead of just sulking in a cell.

Still, not everything during my absence was betting pools and serendipitous radiation collection. Frigid had to deal with her own insurrection while I was away. A half-dozen henchmen tried assassinate her, Bleach, and the Elite Triad. Strictly speaking, it was not a coup because they were acting on behalf of the Golden Web. Technefarious’s rivalry with the G.W. goes all back the way back to our founder, Dr. Crankpot. They tried to recruit the good (evil) Doctor at the beginning of his career, but he rejected them. Even as a youngster, he was a cranky old bastard that didn’t like taking orders. Technefarious grew out of the henchmen Crankpot surrounded himself with, so naturally we bumped heads with the G.W. in our competition to conquer the world. The current leaders of the Golden Web decided my absence was perfect time to strike at us.

I executed Henchmen 85G-0U (Charlie), 35S-6N (Hank), 91Z-0U (Robert), 43F-1L (Archie), 27L-5L (Scott), 21V-6C (Jean) for their infiltration of Technefarious on the Golden Web’s behalf. While we mull our response options, I had their ashes shipped back to the G.W. with a note and a bomb attached.

Have a good week everyone. Remember, the world is already ours – it just doesn’t realize it yet.

Your Leader,

Dr. Photius Callaway

The Killing Man

From the Desk of the Dictator:

Welcome back from your weekend everyone.

To recap the last few weeks: others and myself were kidnapped by aliens freaky even by alien standards in that their species isn’t particularly genetically stable. Shine dubbed them Asyms due to their asymmetrical bodies. The Asyms spend their spare time seeking out the best genetic arrangement by pitting their abductees against each other and themselves in combat. I probably would have just introduced them to one of universe killers that live on Earth if they had just asked nicely, but they weren’t really interested in taking tea with me.

Instead, they dumped me in with Green Needle, Fusion Man, and Shine Jackson. That would be a medical doctor who specializes in killing things, a biologist specializing in creating exotic alterations in the living, a superhero with easy access to the entire spectrum of fusion/fission reactions, and a blogger for whom bizarre adventures is a common place. Apparently they couldn’t see the trouble that combination might create.

First, they let us keep our basic equipment, because they consider tools part of a being’s genetic expression. Fusion Man brought his pocket lint, I brought my Technefarious communicator and a few sharp objects, Green Needle brought her apothecary-in-a-gun and a few other tools, and Shine brought his tablet and cell phone. Really, I’m selling Shine short. Sometime during his adventures, he picked up a bunch of different super-science widgets and crammed them all in normal looking computer equipment. Universal translator? Check. Full EM spectrum wifi recognition? Check. Local area sensor suite? Check. Media editing? Check. Using the wifi to connect to the Aysms’s computers, Shine hacked into their system using the universal translator, recorded a picture of our cell with his cell phone, and created a fake video to fool their security system with the media editor. I might have claimed earlier that Shine doesn’t have any superpowers. I think I lied.

Once he was in, Shine also dumped the data he stole into Green Needle’s cell phone and my communicator to let us dig through their data to develop a plan. It turned out the reason Fusion Man couldn’t just blast his way out of our cell is that the Asyms coated every surface in the ship with a force field that they manipulated with the wands their carried around. When they wanted to shove us around, all they had to do was wrap us in fields extending from the walls and push. We also found their transportation method – galactic range spontaneous small wormhole generation. They didn’t have a ship over Earth; just a small scouting probe that could direct the wormholes. Getting home required getting through one of their wormholes which required getting past the force field which required dealing with the Asyms.

While Green Needle wading through the Asyms genetic history looking for ways to take them apart, I had Fusion Man make me stuff from the food they were feeding us. We started with a wand for the force fields, so we could get at the walls, so Fusion could make more equipment derived from the Technefarious equipment designs I keep in my communicator. By the time I had everything I wanted, Green Needle was ready to go, so we went. Having hacked through their defenses and found vulnerabilities in their wild genetic structure, we stomped across the ship, leaving havoc in our wake. After fighting our way through a six firefights, a dozen hostile fellow-abductees, and one fat mountain of happiness-inducing marmalade (I’d love to know the full story behind that one), we made our to the teleportation room. I ran the now hacked controls for the unit, sending everyone else through first and leaving something behind for the Asyms.

Back on Earth, Fusion expressed his admiration to me for my willingness to be last off of the Asyms’s ship. I responded that among the items I had him make for me back in the cell was a bomb strong enough to rip apart the spaceship even with all its force fields intact and that I’d stayed behind so I could arm it.

Fusion Man doesn’t like me very much.

Before he could decide if he really wanted to kill and before he remembered that he was supposed to be arresting me for the many, many crimes I’ve committed over the years, Green Needle hooked into Technefarious’s own teleportation systems and spirited us away.

That’s enough for now. It’s just good to be home.

Have a good week everyone.

Your Leader,

Dr. Photius Callaway

The Killing Man

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